Archive for the ‘Identity Politics’ Category


Saturday, December 29th, 2018
A very interesting observation  from an atheist who is also a  college teacher  Nancy  

Notable & Quotable: True Religion

‘Every educated person should be conversant with the sacred texts…’

December 26, 2018

From an interview with Camille Paglia,, Dec. 4:

Comparative religion is the true multiculturalism and should be installed as the core curriculum in every undergraduate program. From my perspective as an atheist as well as a career college teacher, secular humanism has been a disastrous failure. Too many young people raised in affluent liberal homes are arriving at elite colleges and universities with skittish, unformed personalities and shockingly narrow views of human existence, confined to inflammatory and divisive identity politics.

Interest in Hinduism and Buddhism was everywhere in the 1960s counterculture, but it gradually dissipated partly because those most drawn to ‘cosmic consciousness’ either disabled themselves by excess drug use or shunned the academic ladder of graduate school. I contend that every educated person should be conversant with the sacred texts, rituals, and symbol systems of the great world religions—Hinduism, Buddhism, Judeo-Christianity, and Islam—and that true global understanding is impossible without such knowledge. . . .

Right now, the campus religion remains nihilist, meaning-destroying post-structuralism, whose pilfering god, the one-note Foucault, had near-zero scholarly knowledge of anything before or beyond the European Enlightenment. (His sparse writing on classical antiquity is risible.) Out with the false idols and in with the true!






Saturday, December 29th, 2018


Will these liberals ever stop pushing “Identity Politics” on us ?  It is like a mental illness  with them as every one of our  institutions is being influenced by their obsession !  It is all part of Cultural Marxism and the Far Left’s plan on forever changing our country.   Nancy

The National Gallery of Identity Politics

Forget Monet or Hopper. The art museum’s new director wants to tackle ‘gender equality,’ ‘social justice’ and ‘diversity.’

December 19, 2018  by Roger Kimball
Mr. Kimball is editor and publisher of the New Criterion and president and publisher of Encounter Books.

‘Every thing is what it is and not another thing,” observed the 18th-century British philosopher Joseph Butler. If that seems obvious, you haven’t been paying attention to what has been going on in the culture. Once upon a time (and it wasn’t that long ago), universities were what they claimed to be, institutions dedicated to the preservation and transmission of civilization’s highest values. Now they are bastions of political correctness, “intersectionality” and identity politics.

Something similar can be said of art museums. Although barely 200 years old as an institution, the art museum until recently existed primarily to preserve and nurture a love of art. Today, many art museums serve as fronts in battles that have little or nothing to do with art: entertainment, yes; snobbery and money, of course; and politics, politics, politics.

The latest example of this trend is particularly egregious because it involves one of America’s premier institutions, the National Gallery of Art in Washington.

Established and endowed by Andrew Mellon in 1937, the National Gallery quickly became one of the nation’s two or three most exquisite art museums. In terms of the breadth, depth and excellence of its collection, its only real rival is the Metropolitan Museum of Art in New York. And because of its place in the nation’s capital (and its claim on the taxpayer’s purse—about $140 million of its $190 million budget comes from the U.S. Treasury), the National Gallery occupies a singular place in the metabolism of America’s cultural life.

Obituarists looking to write the epitaph of the American art museum could do worse than ponder the elevation of Kaywin Feldman, currently director and president of the Minneapolis Institute of Art, to take the helm of the National Gallery in March when Earl A. “Rusty” Powell III, director since 1993, retires.

All the announcements of Ms. Feldman’s appointment have breathlessly noted that she will be “the first woman to hold the top job at the museum.” It’s meant as homage, and I hope I will be forgiven if I point out how patronizing are such declarations. In any case, the thing to appreciate about Ms. Feldman is not her sex but her slavish devotion to transforming the museum into a left-wing political redoubt.


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